In any city, in any country, in any university in which you have been enrolled, go into any classroom and silently say, I seek the Holder of the A. If when you open your eyes a professor stands at the lectern, then you have failed, class will proceed as normal, and your journey ends here. But if when you enter you are greeted by a prostrate woman, eyes-open and non-responsive, then quickly assemble in groups of five or else prepare for a horrific end. The mind is more fragile than you know, and there are worse things than death.
If you seek the Object clenched in the body’s hand, you must tell the corpse its own story: the myth of the Holder of the A.
Do not forget as you write, this is no myth. Do not touch the Holder or attempt to take the Object by force. If you do either, or if you fail to reinvent her in the allotted time, she will stay dead and you will be forever destined to fail no matter the task you undertake. Succeed, and the corpse will awaken, and offer you a crumpled, bloodstained note promising intellectual supremacy.
The note is Object 537 of 538. If you can attain it, success is yours.
If, like me, you lurked or participated on 4chan’s /b/ or /x/, you may be familiar with the generic conventions in the short prose piece above. It mimics the style of the Holders Series, a collection of creepypasta chronicling the tasks of reckless, curious individuals seeking to collect mystical objects that should never come together. In the vein of open-source fiction, the individual stories in the Holders series lack attribution and the mythos is collaboratively, transparently constructed based on communal negotiations concerning the generic conventions of horror and expectations for the story itself. The mythos is unstable, unfixed, and thus can be continually modified and augmented. As a case in point, while the first Holders story states there are 538 Objects, stories exist after #538, telling the story of Objects 539 of 538, 540 of 538, etc., and a sequel series, Legion’s Objects, was started to chronicle an additional 2000 Objects.
I wrote the piece quoted above as part of an experimental class on open-source fiction, fandom, and amateur production online. I did this exercise in a media studies course, but I think it would work equally well, or better, in a composition or creative writing classroom. More after the jump if you’re interested in replicating the exercise or just want to hear how it went. Continue reading