I’ve recently been obsessing over the 1997 film Event Horizon, a sci-fi/horror flick described by its director as “The Shining in space.” For those who haven’t seen it, the basic premise is that the Event Horizon, a spaceship capable of “jumping” through space simply vanished and then reappeared seven years later; thus, a salvage crew, led by Laurence Fishburne and aided by engineer Sam Neill, are sent to rescue any surviving crew members as well as the Event Horizon. The ship, however, has come back unspeakably alive. The film unfolds slowly and then blossoms into a veritable Hellraiser homage, replete with a chaotic entity, extremely fleeting sadomasochistic imagery, and notions of pain, nothingness, and hell.
I often work best to the soothing sounds of tortured screaming, so I looped this film in the background while revising final papers and conference presentations last month. After the semester ended, I idly checked YouTube for extra footage and discovered that whole sequences had been deleted. Paul Andersen removed segments that actually helped the narrative make sense and restricted the gore to frames lasting 1-2 seconds each, in addition to radically trimming the orgiastic distress call video that motivates the salvage mission.
So then I looked at the original script. The changes made from script to screen were fairly radical. Images such as a son cannibalizing his still-breathing mother and violent, cannibalistic sex were omitted or heavily, heavily modified. A sex scene between the hallucinating Dr. Weir (Neill) and his dead wife Claire, during which he overcomes his loneliness and she tears out his eyes at climax, is also omitted. These scenes did not seem overly long or gratuitous, instead contributing to the development of a character on the brink of madness. Similar scenes made the cut in 1970s and 1980s horror films. So why this film, and why these scenes?Continue reading