Excerpts from a panel on street art, hacktivism, and subversive inspiration at the Critical Information Conference 2012, held at the School of Visual Arts. The paper I presented, titled “We Do it for the Lulz: Graffiti as a Metaphor for Digital Defacement,” emerged out of research I am conducting regarding the political viability of DDoS actions as hacktivism. As they are so often accompanied by cyber-graffiti, I thought I’d take a shot at addressing their role and significance in hacktivist practice.
Materials from the entire conference can be found here.
Upcoming projects include a conference paper on the convergence of comics, animation, and gaming in the webcomic Homestuck, a conference paper on lurking as a methodology for studying 4chan, an optional random paper on polemology, art, and The Dark Knight Rises, and uploading textfile versions of current and pending publications.
Still waiting with bated breath to receive edits on a piece on the logics of misogyny on 4chan, still thrilled by being included in Black Clock 16, and still keeping busy, as always.